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  • Showtime, Clarksdale, Miss., 2006.<br />
Photo by D.L. Anderson
    miss_delta_views_29_dla.jpg
  • Jimmy Lewis, 11, in Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_19_dla.jpg
  • Lacking a public pool in Clarksdale, Miss., a group of children improvise.<br />
Photo by D.L. Anderson
    miss_delta_views_14_dla.jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0307_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0281_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0302_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0252_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0198_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0193_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0189_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0115_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0152_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0067_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Megafaun; Brad Cook, Joe Westerlund, Phil Cook in Durham, N.C., 2010.
    2010.02.25_Megafaun_Três_409_DLA.JPG
  • Megafaun; Brad Cook, Joe Westerlund, Phil Cook in Durham, N.C., 2010.
    2010.02.25_Megafaun_Três_265(2)_(CS...JPG
  • Megafaun; Brad Cook, Joe Westerlund, Phil Cook in Durham, N.C., 2010.
    2010.02.25_Megafaun_Três_265(1)_(CS...JPG
  • Megafaun; Brad Cook, Joe Westerlund, Phil Cook in Durham, N.C., 2010.
    2010.02.25_Megafaun_Três_251_DLA.JPG
  • Megafaun; Brad Cook, Joe Westerlund, Phil Cook in Durham, N.C., 2010.
    2010.02.25_Megafaun_Três_251(bw)_DL...JPG
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_09_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_08_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_07_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_02_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_01_dla.jpg
  • Big T's Bar-N-Grill, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_39_dla.jpg
  • Clarksdale, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_38_dla.jpg
  • B.F. Mclaurin Park, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_35_dla.jpg
  • Homecoming Sunday, St. Joseph's Missionary Baptist Church, Jonestwon, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_33_dla.jpg
  • Jam session, Club 2000, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_30_dla.jpg
  • Pick-up football game, Clarksdale, Miss., 2006.<br />
Photo by D.L. Anderson
    miss_delta_views_28_dla.jpg
  • Feeling the weight, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_25_dla.jpg
  • Saturday night, Clarksdale, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_24_dla.jpg
  • Catching fireflies, Clarksdale, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_22_dla.jpg
  • Arlene and Brandon Spralls, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_21_dla.jpg
  • Lacking a public pool in Clarksdale, Miss., a group of children improvise in the middle of 11th st., from left, Kendrika James, 13, Jonathan Lidd, 6, and Niaimani Hopper, 8, on May 23, 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_15_dla.jpg
  • Lacking a public pool in Clarksdale, Miss., a group of children improvise.<br />
Photo by D.L. Anderson
    miss_delta_views_13_dla.jpg
  • Lacking a public pool in Clarksdale, Miss., a group of children improvise in the middle of 11th st., from left, Kendrika James, 13, Jonathan Lidd, 6, and Niaimani Hopper, 8, on May 23, 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_12_dla.jpg
  • Last day of school at the Aaron E Henry Head Start Center in Clarksdale, Miss., 2007. Photo by D.L. Anderson
    miss_delta_views_11_dla.jpg
  • Outside Jonestown, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_09_dla.jpg
  • Trevon Martin, 6, at a playground in Clarksdale, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_06_dla.jpg
  • Playground, Clarksdale, Miss., 2007. Photo by D.L. Anderson
    miss_delta_views_05_dla.jpg
  • Ms. Katherine Clark leads children under her care in a lesson about color at the New Covenant House Christian Daycare Center in Clarksdale, Miss., May 15, 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_04_dla.jpg
  • Ms. Katherine Clark leads children under her care in a lesson about color at the New Covenant House Christian Daycare Center in Clarksdale, Miss., May 15, 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_03_dla.jpg
  • Ms. Katherine Clark leads children under her care in a lesson about color at the New Covenant House Christian Daycare Center in Clarksdale, Miss., May 15, 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_02_dla.jpg
  • Ms. Katherine Clark leads children under her care in a round of songs at the New Covenant House Christian Daycare Center in Clarksdale, Miss., May 15, 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_01_dla.jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0243_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0215_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0092_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0065_UNC_Silent_Sam_Harry_Watson_171...jpg
  • Harry Watson, Professor of History at UNC Chapel Hill, near the controversial confederate statue "Silent Sam" located on McCorkle Place, a prominent historical quad, Chapel Hill, North Carolina, 2017. Prof. Watson grew up walking by "Silent Sam" on the way to UNC football games and initially did not support the idea of removing the statue, but he is now speaking out in support of removal since the events in Charlottesville, Virginia, in August of 2017.
    0025_UNC_Silent_Sam_Harry_Watson_171...jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_11_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_06_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_05_dla.jpg
  • The 2004 Mississippi Rive Tugfest between Port Byron, Illinois and LeClaire, Iowa.
    tug_03_dla.jpg
  • Jump, Jonestown, Miss., 2007. Photo by D.L. Anderson
    miss_delta_views_37_dla.jpg
  • Prayer circle, St. Paul Missionary Baptist Church, Jonestown, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_36_dla.jpg
  • Club 21, along Hwy. 61, outside of Rolling Fork, Miss., 2006, birthplace of Muddy Waters. <br />
Photo by D.L. Anderson
    miss_delta_views_34_dla.jpg
  • Mr. Gates checks the date, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_32_dla.jpg
  • Waiting out the rain, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_31_dla.jpg
  • Sharecropper, Greenwood, Miss., 2006. <br />
Photo by D.L. Anderson
    miss_delta_views_27_dla.jpg
  • Feeling the weight, Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_26_dla.jpg
  • Catching fireflies, Clarksdale, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_23_dla.jpg
  • Baptist Church along Hwy. 61, South of Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_20_dla.jpg
  • Children play along 11th street in Clarksdale, Miss., 2007. Shakai Nor, 5, standing near the tree. <br />
Photo by D.L. Anderson
    miss_delta_views_18_dla.jpg
  • Lacking a public pool in Clarksdale, Miss., a group of children improvise.<br />
Photo by D.L. Anderson
    miss_delta_views_17_dla.jpg
  • Jimmy Lewis, 11, Clarksdale, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_16_dla.jpg
  • Last day of school at the Aaron E Henry Head Start Center in Clarksdale, Miss., 2007. <br />
Photo by D.L. Anderson
    miss_delta_views_10_dla.jpg
  • Jamaris Smith, 13, left, and Douglas Maddox, 6, ride through the streets of Jonestown, Miss., 2007.<br />
Photo by D.L. Anderson
    miss_delta_views_08_dla.jpg
  • Elder Sisters, St. Joseph's Missionary Baptist Church, Jonestown, Miss., 2007<br />
Photo by D.L. Anderson
    miss_delta_views_07_dla.jpg
  • Scale, O'Brien Warehouse, Second Floor, 2006.James B. Duke's mighty American Tobacco Company finished building the O'Brien Warehouse in 1899, the same year they acquired the smaller, St. Louis based, Liggett & Myers Tobacco Company.  Twenty-two years later the U.S. Supreme Court found the American Tobacco Company guilty of being business monopoly, a violation of the Sherman Antitrust Act of 1890.  As a result of that ruling, American Tobacco Company was divided into four companies: the American Tobacco Company, R.J. Reynolds, P. Lorillard and Liggett & Myers Tobacco..
    SCALE.TIF
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__095_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__049_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__096_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__094_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__089_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__084_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__080_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__079_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey at her office inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__073_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__053_DLA.JPG
  • Reynolds American Inc. Chief Executive Susan Ivey inside the Reynolds American Plaza Building in Winston-Salem, North Carolina, Thursday, March 18, 2010. Ivey is responsible for a new branding push at Reynolds that has manifested in a new line of products that focus on smoke-less tobacco. ..CREDIT: D.L. Anderson for the Wall Street Journal..IVEY
    2010.03.18_susan_ivey__043_DLA.JPG
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_164_FW_Katie_Button_DLA.jpg
  • Conveyor System, O'Brien Warehouse, Second Floor, 2006.After tobacco was conditioned and stored in bulkers on the second floor of O'Brien, it was loaded onto a system of conveyer belts, carried over Main Street and lifted to the sixth floor of the New Cigarette Factory for casing and cutting. Although Bull Durham Tobacco Company was the first major tobacco company in Durham, with around 900 employees in 1884, it was James B. Duke's focus on innovative methods of cigarette production that quickly propelled Washington Duke & Sons (later the American Tobacco Company) to become the world wide leader in cigarette manufacturing at the turn of the 20th century.
    OBRIEN_LIFTS.TIF
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_251_FW_Katie_Button_C2_DLA.jpg
  • Storage Bin Controls, Cobb Warehouse, Second Floor, 2006."If you worked for Liggett or American and you walked into a grocery store or any business, you were treated with respect," said former employee Joe Cohn. "You made good money. You kept the city running."
    DIALS.TIF
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_343_FW_Katie_Button_C1_DLA.jpg
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_237_FW_Katie_Button_C3_DLA.jpg
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_255_FW_Katie_Button_DLA.jpg
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_191_FW_Katie_Button_T1_DLA.jpg
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_100_FW_Katie_Button_DLA.jpg
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_069_FW_Katie_Button_CS_DLA.jpg
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_340_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_324_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_311_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_170_Odinga_BW_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_140_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_125_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_114_Odinga_DLA.JPG
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_420_FW_Katie_Button_DLA.jpg
  • Chef Katie Button, of Curate, in Asheville, North Carolina, will be opening a new cocktail bar in February called Nightbell; where she'll do craft cocktails, serious desserts and bite-size snack food twists on American classics like deviled eggs, lobster rolls, cracker jacks and root beer floats.
    140115_148_FW_Katie_Button_C3_DLA.jpg
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_359_Odinga_DLA.JPG
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