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  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1463 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1418 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1404 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1258 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1254 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1252 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1104 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1055 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 938 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 915 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 771 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 525 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 476 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 337 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 281 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 225 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1509 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1433 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1371 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1290 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1237 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 1141 NASCAR TRACK SERVICES ...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 963 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 956 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 795 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 726 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 507 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 520 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 365 NASCAR TRACK SERVICES T...jpg
  • Track services training at Charlotte Motor Speedway, Concord, North Carolina, Saturday, March 2, 2013. Fire, paramedic and clean-up crews are trained on a wide array of emergency response procedures in accordance with NASCAR safety rules and regulations. <br />
<br />
Photo by D.L. Anderson for ESPN
    20130302 298 NASCAR TRACK SERVICES T...jpg
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_340_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_324_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_311_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_170_Odinga_BW_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_140_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_114_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_359_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_337_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_176_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_147_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_131_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_125_Odinga_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_122_Odinga_BW_DLA.JPG
  • Self-taught artist Odinga Tyehimba. His current project, Rebel Shrine, consists of various ritual power-figures which work in unison to form a visual commentary in contrast to the impact of cultural imperialism that stems from the Euro-centric worldview. Odinga’s objective has been to inspire healing and self-realization through his work. Rebel Shrine has been chosen to be part of an upcoming show at The Gregg Museum of Art & Design at North Carolina State University. Glenn Hinson, Associate Professor of Folklore and Anthropology at University of North Carolina at Chapel Hill, has watched Odinga’s work evolve for many years. He wrote “Few artists create work that can truly be called “monumental. Not merely in terms of size, but in terms of power, of its ability to challenge, to shake, to transform. Tyehimba is one such artist. For more than a decade, Odinga Tyehimba has been working on a single monumental piece, a multi-figured altar whose layered complexity speaks to cultural history, spiritual emergence, and personal growth. Each component of this masterwork tells a textured story, inviting viewers to confront the historical and spiritual realities of the African American experience.
    20120220_047_Odinga_DLA.JPG
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